From Old English 'leah' meaning 'meadow or clearing.'
Leigh flows from the Old English word leah, meaning a woodland clearing, a meadow open to the sky within a forest. As a surname it attached to countless English families whose ancestors lived beside such clearings, and by the nineteenth century it had drifted into use as a given name, carried equally by boys and girls with an elegant ambiguity that felt progressive before progressive was a category. The spelling Leigh distinguishes it from the plainer Lee, lending the name a slightly literary quality.
The name's most luminous bearer is Vivien Leigh, the British actress born Vivian Mary Hartley who adopted her then-husband's surname as her stage name and burned it permanently into cultural memory. Her performances as Scarlett O'Hara in Gone with the Wind and Blanche DuBois in A Streetcar Named Desire made her one of cinema's defining presences — extraordinarily beautiful, technically formidable, privately tormented. The name Leigh carries something of her intensity and delicate ferocity in popular imagination.
Janet Leigh brought the name a different kind of immortality through Alfred Hitchcock's Psycho, in which her character's fate in the Bates Motel shower became one of cinema's most analyzed sequences. Between these two Leighs — one of theatrical grandeur, one of suspenseful shock — the name accumulated extraordinary cultural weight for its modest syllable count. Today Leigh functions beautifully as both a given name and a middle name, appreciated for its soft sound, its gender fluidity, and its connection to one of acting's most storied generations.